Canadian soprano Gillian Keith has emerged as one of the leading lyric sopranos of her generation. Her superb voice and musicianship are at home both on the opera stage and on the concert platform, making her one of the most stylish and versatile artists on the stage today.
A past winner of the prestigious Kathleen Ferrier Award‚ she made her Royal Opera‚ Covent Garden debut as Zerbinetta in Strauss’ Ariadne auf Naxos and has gone on to repeat the role with great success at Ópera de Oviedo and Welsh National Opera. Other operatic appearances include Tytania in Britten’s A Midsummer Night’s Dream at ROH and at English National Opera‚ Nannetta Falstaff and Pretty Polly in Birtwistle’s Punch and Judy‚ both for ENO‚ and Pretty Polly in Geneva. She has sung Lucinda in Conti’s Don Chisciotte for Netherlands Opera under Rene Jacobs‚ Tiny in Britten’s Paul Bunyan for the Bregenz Festival‚ Elmira in Opera North’s Croesus‚ Ginevra in Handel’s Ariodante in Halle‚ Philine in Thomas’ Mignon, and Iphis in Handel’s Jeptha, both for Buxton Festival, The Woodbird in Scottish Opera’s Siegfried, and Poppea in Basel and in Boston.
Concert highlights include Mozart’s C Minor Mass in Boston’s Symphony Hall‚ La Resurrezione with the Wiener Akademie‚ Mahler 8 with the RPO‚ Haydn’s Creation with CBSO‚ B Minor Mass at London’s Barbican Hall, Handel’s Messiah and Silete venti with The Sixteen in Hong Kong and New Zealand, and Purcell’s The Indian Queen with The Sixteen at the Edinburgh International Festival‚ under such conductors as Sir John Eliot Gardiner‚ Daniele Gatti‚ Sir Richard Armstrong‚ Peter Schreier‚ Richard Hickox, Gianandrea Noseda‚ Harry Christophers and Sir Mark Elder.
Recent appearances include the title role in H.K. Gruber’s Gloria: A Pigtail at Royal Opera’s Linbury Studio Theatre, Buxton Festival and Bregenz Festival, Bach solo cantatas with Northern Chamber Orchestra, Kurtág’s Scenes from a Novel with the Psappha Ensemble, Handel’s Messiah in Washington National Cathedral, Bach’s St Matthew Passion (Handel and Haydn Society, Boston),
Miss Wordsworth in Britten’s Albert Herring with the BBC Symphony Orchestra, the role of Ruth Ellis in Tom Randle’s new opera Love Me To Death at The Barbican’s Pit Theatre, and the premiere of works by David Matthews and Cecilia McDowall at the Presteigne Festival.
This season includes performances and a multi-disc recording of Bach solo cantatas with Armonico Consort, as well as concerts of Mendelssohn’s Elijah, Vaughan Williams’ Sea Symphony, and Bach’s Christmas Oratorio.
She has recorded the role of Zerbinetta in Ariadne auf Naxos with the Scottish Chamber Orchestra under Sir Richard Armstrong, as well as orchestral songs by Dallapiccola, Nielsen’s 3rd Symphony, and Casella’s Le convent sur l’eau with Gianandrea Noseda and the BBC Philharmonic, all for Chandos. Other recordings include Handel’s Gloria and Bach Cantatas with John Eliot Gardiner,
Handel’s Messiah and Mozart’s C Minor Mass with Harry Christophers, and Handel’s Nine German Arias with Florilegium. Her recital discs include Schubert Lieder on Marquis, and with pianist Simon Lepper Debussy: Early Songs, and Debussy Songs For His Muse for Deux-Elles, as well as Gillian Keith – bei Strauss for Champs Hill Records.