Category Archives: Mezzo-soprano

Rose Setten

Rose Setten, sang alto for the Cantate Choir during it’s performance of Handel’s Judas Maccabaeus in March 2013.

Rose Setten, Mezzo-soprano

Rose Setten, mezzo-soprano, is currently studying on the Masters course at the Royal Academy of Music under the tutelage of Elizabeth Ritchie and Iain Leddingham. In 2010, Rose graduated with a 1st class BMus(Hons) degree from the Royal Northern College of Music, where she studied with Thomas Schulze. During her time at the RNCM, Rose took chorus roles in Janácek’s The Cunning Little Vixen and in Tchaikovsky’s Eugene Onegin. She has also performed the roles of the Bridesmaid in Mozart’s Le nozze di Figaro and The Bat in Ravel’s L’enfant et les Sortilèges. In RNCM Opera Scenes, Rose has sung the roles of Helena in Britten’s A Midsummer Night’s Dream, Lady Dunmow in Berkley’s A Dinner Engagement and Poppea in Monteverdi’s L’incoronazione di Poppea.

In 2004, Rose won the title of BBC Radio 2 Chorister of the Year and has appeared as a soloist on BBC television and radio, including Songs of Praise and the Daily Service. Since studying at RAM, Rose has performed in RAM Opera Scenes, including the role of Diana in Cavalli’s La Calisto and Nancy in Britten’s Albert Herring. Other appearances include recitals at the Garrick Club and solo performances at the Royal Hospital, Chelsea, St. Martin in the Field’s and the Sage Centre, Gateshead.

Rose is looking forward to working at Opera Holland Park this summer and commencing her studies on the Opera Course at the Royal Conservatoire of Scotland in September. Rose is very grateful to The Josephine Baker Trust and to Gordon Hine and the Sussex Opera and Ballet Society for supporting her studies.

Please share with your friends

    Susan Moore

    Susan sang with the choir during its Rossini Petite Messe Solennelle concert in March 2011.

    Susan Moore, Mezzo-soprano

    Susan Moore studied at Trinity College of Music, London with Hazel Wood, receiving the 1st prize in the Elizabeth Schumann Lieder Prize; she now studies privately with Susan McCulloch. Recent operatic roles include: Marcellina in Le Nozze di Figaro for Longborough Festival Opera, Buttercup in HMS Pinafore and Mrs. Partlet in The Sorcerer for Opera della Luna, the Witch in Hansel & Gretel, Tangia in Le Cinesi, Nancy in Martha, Thirza in The Wreckers, Sally in A Hand of Bridge and Delilah in Samson & Delilah (all for Opera Minima) and Filipyevna in Eugene Onegin at St. John’s, Smith Square with I Maestri orchestra. Future plans include: Widow Browe in Peter the Great for Opera South, returning to the King’s Head Theatre and Charles Court Opera’s HMS Pinafore as Hebe but also playing Buttercup in several performances, and making her directorial debut for Opera Minima with a production of Trial by Jury at Oakham Castle.

    Please share with your friends

      Julia Riley

      Julia sang with the choir during its Mozart’s Requiem and Schubert’s Mass in C concert in March 2006.

      Julia Riley, Mezzo-soprano

      Julia Riley was born in York and studied at the Royal Academy of Music. She was then awarded an Entrance Scholarship for the Royal Academy Opera Course where she trained with Noelle Barker and Ingrid Surgenor. While at the Royal Academy Julia received rave reviews for her portrayal of Prince Charming in Massenet’s Cendrillon. “Julia Riley’s unforced and ample singing was the prime vocal pleasure.” Richard Fairman/The Financial Times/March 2005.

      In December 2005 Julia made her Glyndebourne on Tour debut as Cherubino/Le nozze di Figaro. She recently made her Scottish Opera on Tour debut as Mezzo soloist with Essential Scottish Opera. In Glyndebourne Festival 2005 Julia performed Jonathan Dove’s mezzo song cycle All you who sleep tonight, with pianist Andrew Smith. This formed part of the Jerwood Chorus Scheme and was the first performance in the Glyndebourne Jerwood Studio.

      Other opera roles include Bridesmaid/Le nozze di Figaro/Glyndebourne on Tour, Prince Charming/Massenet/Royal Academy Opera, Ino/Handel/British Youth Opera, Medoro/Handel/Dartington, Tisbe/Rossini/Opera East.

      Oratorio and concert performances include Christmas Oratorio/St James’ Piccadilly/English Baroque Orchestra, B Minor Mass/London Bach Festival, Mozart/Requiem/St-Martin-In-The-Field, In the beginning/Copland/Southwark Cathedral, and Les nuits d’été/Berlioz/Penzance Orchestral Society. Future plans include understudying Dorabella in the 2006 Glyndebourne Festival.

      Please share with your friends