Out of one of the most violent periods of religious and political history in England came some of the most sumptuous and divine music ever written. This year marked 400 years since the death of two of the most noted figures of English choral music – William Byrd and Thomas Weelkes. In this concert we paid tribute to these two masters with performances including Salvator mundi by Tallis and Byrd’s Teach me, O Lord and Ne irascaris domine; it also featured other sacred and secular highlights of this era, including works by Gibbons (This is the record of John), Tomkins (When David heard), Dowland (Come again, sweet love doth now invite), as well as a setting of Greensleeves (attributed to Henry VIII).We had a wonderful evening of music from Tudor composers.
We performed Tchaikovsky’s settings of texts taken from the Divine Liturgy of St John Chrysostom. We had performed it the previous week in Ely Cathedral which has been an amazing experience – collaborating with Ipswich Choral Society. For our own concert we were in chapel in Tonbridge School.
This is the most celebrated of the Eucharistic services of the Eastern Orthodox Church and Tchaikovsky felt a deep connection with this part of Orthodox worship, writing to a friend that, ‘it is impossible not to be profoundly moved by the liturgy of our own Orthodox Church… to be startled from one’s trance by a burst from the choir; to be carried away by the poetry of this music; to be thrilled when… the words ring out, ‘Praise the name of the Lord!’ – all this is infinitely precious to me! One of my deepest joys!’
The concert opened with a setting of the Prayer for Ukraine. It took place in the glorious setting of St. Augustine Chapel at Tonbridge School.
The programme also featured solo organ pieces including works by Dupré, Vierne, Rheinberger and Reger; this was an opportunity to hear the marvellous Marcussen Organ in the chapel.
Intense and stirring, made all the more thrilling in the atmosphere of the chapel, we hope you enjoyed our performance as much as we did.
We performed a selection of music – Mendelssohn’s Lauda Sion, Magnussen’s beautiful setting of the Shakespeare lyric Fear No More, Vierne’s Les Angelus (for soprano solo and organ) and Poulenc’s Gloria; this last piece we performed to celebrate our twentieth anniversary – it was one of the pieces we performed for our first concert.
We were delighted to be joined by Soprano Gwen Martin and Organist Charles Andrews. Robin Walker, our director of music, conducted
Poulenc’s Gloria, completed in 1960, is one of his best-known works. It moves through many moods from jocular to mysterious, from melodious to joyous – sparkling with energy and excitement even its quieter more intricate moments and most especially in its glorious fanfares. The complex organ part evokes the brilliance and drama of a full orchestra. We enjoyed performing this 20 years ago and were delighted to return to it again to celebrate our anniversary.
First performed in 1846, though not published until after Mendelssohn’s death, Lauda Sion was composed to commemorate the 600th anniversary of Corpus Christi. It is celebratory and majestic, most often described as adopting a melodious Italianate style, and reaches a dramatic climax before a calm conclusion in the final movement.
Jonas Magnussen’s setting of the Shakespeare’s song from Cymbeline – Fear no More the Heat ‘o the Sun – simply stirs with soulful beauty.
Gwen Martin and Robin Walker performed Vierne’s Les Angelus, a work of wonderful clarity, at times intense, at others serene, perfect for in St Martin’s church.
We were delighted to perform our programme of American and English folk songs with music by Vaughan Williams, Rutter, Copland and Frahm.
We conjured a world of ballads and love songs where you could walk country lanes and sail the seven seas; find many wonders and curiosities – from American bandicoots to ghostly lovers – and hear the calls of the Ohio river boatmen and listen to the philosophies of the Miller of Dee.
In the 150th anniversary year of Ralph Vaughan Williams’ birth we sung Five English Folk Songs, together with John Rutter’s Sprig of Thyme; together these represent a lovely collection of songs, some recognisable, others less well-known.
Aaron Copland’s sound world is unmistakable in his settings of old American songs, whether he is reworking a minstrel song that recalls America’s majestic rivers or updating a lively farmyard nonsense song.
We were particularly excited to present the world premiere of Late-Night Lyrics by Frederick Frahm including a setting of the poem by Emily Dickinson, ‘I felt a Funeral, in my Brain’. Late-Night Lyrics is a set of three sophisticated and subtle songs on three very different themes.
At times infectious, energetic tunes, at others wistful storytelling, these songs were wide ranging, bringing a host of characters (and animals!) to life. Folk songs tell us many things about beauty and loss, nature and the rhythms of life; this proved to be a perfect selection for a summer’s evening to celebrate the many stories they tell.
KODALY – MISSA BREVIS and VERDI – FOUR SACRED PIECES
Conductor Robin Walker
We are delighted to be presenting this programme of richly layered and dramatic sacred pieces. This is the concert we had been about to perform when covid struck in 2020 and we are very pleased to be returning to these pieces once again.
Kodály was born in Hungary and stayed there during the Nazi occupation. In the last stages of the war he took refuge in the Budapest Opera House and it was there that he composed Missa Brevis, building on an earlier work composed in 1942. Its first official premiere was at the Three Choirs Festival in Worcester in 1948.
The piece is imbued with folk melodies and romanticism. There are moments of yearning and moments of joyousness; intense and rich, gentle and haunting, exuberant and exultant, this piece is wonderful to perform and we hope you will enjoy discovering it if you have not heard it before.
Four Sacred Pieces, Quattro pezzi sacri, were written separately between 1886 and 1897, towards the end of the Verdi’s life. They were published together in 1898 and they are generally performed in the publisher’s order, rather than chronologically.
Ave Maria was a piece composed to try and harmonise the enigmatic scale. Intended as an exercise, it was not originally written for public performance. The melody is sung by each line in turn and the other parts harmonise around it, resulting in a lush and beautiful piece.
Stabat Mater is a theatrical composition as the music moves between the different dramatic moods of the crucifixion.
Laudi alla Vergine Maria is a setting of a prayer in Canto XXXIII of Dante’s Paradiso, a joyous hymn to the Virgin Mary, for four female voices a cappella. Gentle and beautiful this is a moment of peace.
Te Deum is a setting for double chorus and provides another opportunity for operatic drama. The piece ranges from lyrical passages to thundering climaxes, providing stirring contrasts of mood and movement. This is the piece Verdi wanted buried with him when he died.
The series as a whole provides music of great beauty and drama. If you came to our performance of Christmas Oratorio in 2019, you will know we can promise you an exciting and exhilarating concert. We hope you will join us on the 26th March.
(UPDATED – when we actually performed the concert covid had unfortunately prevented Charles Andrews from playing the organ)
We were very sad to have to cancel our Christmas concert due to the Omicron strain of Covid that was on the
After our recent successful concert – a Serenade to Music – The Cantate Choir return again with our Christmas concert taking place at St.Mary Platt on Saturday 18th December.
We were overwhelmed with the fantastic audience who joined us for our November concert, after such a long wait. Now we are back again to celebrate Christmas with a wonderful programme of carols and music for the festive season, with the organ in full song.
We will be performing a variety of traditional Christmas carols from across the ages and we will be including audience favourites too – come and sing along! Having had to cancel Christmas concerts last year we are looking forward to returning full of excitement and good cheer. The Christmas season is well upon us and we hope you will join us to celebrate the festivities in the traditional way!
Tickets are £12 (U18 £6.00). They are available from members of the choir, on the door or online atwww.eventbrite.co.uk
For the latest covid precautions at our concerts click here.
We were delighted to be back rehearsing for this Autumn. It was a challenging 18 months being unable to gather, sing and plan for concerts since we had to postpone our Spring 2020 concert so many months ago. We have been very excited to be able to rehearse again and have an exciting series of concerts lined up. This first concert of 2021 was particularly exciting as we had such a wonderful audience come to our performance to welcome us back.
Our first welcome back concert for 2021 took place on 13th November at St Martin’s Church, Brasted at 19.30.
We had missed singing so very much that our first programme was a collection of our favourite pieces which we had not been able to perform for a while. Our concert Serenade to Music was a celebration of music and included a range of contemplative, uplifting and majestic works by Handel, Mozart, Mendelssohn, Parry, Vaughan Williams, Britten and Stanford.
We celebrated music and harmony with pieces that explore the inspiring nature of music and song from composers across the centuries. Our concert included performances of Ave verum, Mozart and My heart is inditing by Handel. We sang Mendelssohn’s How lovely are the Messengers together with Vaughan Williams’ Serenade to Music, including pieces by Stanford and Britten (Hymn to St Cecilia) and concluding with the stirring Blest Pair of Sirens by Parry. These included settings of words drawn from the Bible, as well as verses by Shakespeare, Milton and Auden, all exploring and celebrating music in its many uplifting guises.
Director of Music Robin Walker conducted and Ian Shaw will joined us on the organ.
Saturday 14th December 2019 at 7.30pm at St Peter and St Paul’s Church, Tonbridge.
Cantate was once again joined by their sister ensemble Vivace! to perform the first half of Bach’s great setting of the Christmas story. The first three Cantatas took us from the announcement and birth of the Christ-child to the shepherds going to Bethlehem to visit the stable. Masterful story-
telling and joyous choral music always make this piece a wonderful way to start the Christmas season.
For this special concert, Cantate was delighted to welcome back Gwen Martin (soprano) and Nick Pritchard (tenor) and to work with Natalie Davies (mezzo-soprano) and Cheyney Kent (baritone) for the first time. The period-instrument ensemble Vivace! was led by Hazel Brooks.
We enjoyed a glittering retelling of the Christmas story in the beautiful surroundings of St Peter and St Paul’s Church, Tonbridge.
Saturday June 22nd, 7.30pm, St Mary’s Church, Platt.
For our summer concert this year we explored styles of music which challenged us to get out of our comfort zone. We sang music which bridges over 900 years, opening our concert with music by one of the most important and influential composers in history, Hildegard von Bingen, followed by a work by Stevie Wishart written only a few years ago based around that ancient music. Stevie explores the Medieval sound-world through texture and vocal effects to create a rich and elaborate soundscape, reminiscent of monastic chant and ancient buildings.
A ‘first’ for Cantate was a programme which features exclusively female composers, and we performed music from the Renaissance and the 19th century, with pieces by perhaps the most well-known female composer of the last century, Amy Beach. We concluded our programme with two works by Lauren Redhead, performing one work which is a cappella and a second in which we had an element of improvisation and which we performed with electronics Lauren created especially for this performance.
This was a particularly exciting concert for the choir, working with two contemporary composers exploring the real cutting edge of vocal performance; it challenged us to try a whole new approach as a choir and led to an exciting and enjoyable evening.
DIXIT DOMINUS AND CHORAL AND INSTRUMENTAL WORKS BY PACHELBEL – including the famous Canon.
St Nicholas Church, Sevenoaks
Saturday March 9th
7.30pm
We will be performing Handel’s Dixit Dominus, a wonderfully energetic and challenging piece, together with three stately but joyful baroque choral pieces by Pachelbel. We will be joined by Vivace! who will also perform Pachelbel’s Canon in D. Our guest soloists will perform a Magnificat also by Pachelbel.
Handel understands effect better than any of us—when he chooses, he strikes like a thunderbolt.’
—Wolfgang Amadeus Mozart*
We are delighted to be joined by Vivace! led by Diane Terry as well as guest soloists.
The centrepiece of the evening is Handel’s Dixit Dominus, a setting of the Latin text of Psalm 110. Handel composed the piece while he was in Italy and it was first performed, it is believed, in 1707 when he was just 22. It is an exciting and energetic piece, not without challenges. In the King James version this psalm begins: ‘The Lord said unto my Lord: sit thou on my right hand, until I make thine enemies thy foot-stool’. It is a dramatic, robust and declaratory psalm and this is reflected in the intensity of Handel’s music: there are vigorous arpeggios and majestic fugues, highly layered cascading chorus parts and beautiful solo melodies, leading to a final triumphant Gloria. If you have not heard it before it is a stirring piece, full of drama and contrast, and for those who have, hearing it performed live is always a fantastic and spirited occasion.
The concert will also present four choral pieces and one orchestral piece by Pachelbel. Pachelbel represents the flowering of the south German organ schools and is one of the most important composers of the middle baroque. The Canon in D is well known by many and it is always a delight to hear its elegant and measured chord progression. The choral works are less well known but the choir will be singing three lovely pieces: Jauchzet dem Herrn, a joyful setting of Psalm 100, the buoyant Singet dem Herrn and the stately Lutheran hymn, Was Gott tut, das ist wohlgetan. The final piece, a Magnificat, will be performed by the soloists.
Saturday 10th November 2018 at St. Mary’s Church, Kippington, Sevenoaks
A programme of music and readings, with organ.
Organist: Iestyn Evans
Readers: Sandy Walsh and Robin Lustig
Cantate’s next performance is a special concert to mark the centenary of the end of the First World War. The programme includes songs and readings from poems written during and after the War alongside settings of sacred texts that reflect the choral traditions of the last century. The centrepiece of the concert will be Herbert Howells’ Requiem. Other works include pieces by English composers of the 20th Century, such as Ireland and Elgar, as well as music by Messiaen, Pärt and Whitacre, music to evoke both sadness and hope.
Tickets cost £15 (Friends £12 and under 18s £7.50) and include refreshments.
The programme is approximately 90 minutes without an interval.
Tickets available at Sevenoaks Bookshop, online at www.bpt.com or by phone 0800 411 8881.
Saturday 23rd June 2018 at All Saints Church, Tudeley at 7.30pm
An performance of music ancient and modern, including the world premiere of a piece by local composer and supporter of the choir, Laurie Dunkin Wedd, inspired by the wonderful Chagall windows at Tudeley. We performed the Mass for 5 Voices by Byrd, the Chansons Francaises by Poulenc as well as If Ye Love Me by Tallis and Three Thomas Campion songs by Nunn. It also included the world Premiere of a piece by Frederick Frahm for clarinet and piano which encapsulated the different windows and was performed by Sarah Trigg on the clarinet accompanied by our Director of Music, Robin Walker on the piano.
We performed the E minor Mass and a selection of sacred motets, accompanied by organ and trombones at St. Martin’s Brasted on Sunday 22 April. It was a lovely sunny evening, quite a contrast from the original planned date of the concert which was postponed from March due to the snow.
Through their gorgeous harmonic language and polyphonic layering, their roving melodic lines and unexpected dissonances, these pieces represent compelling examples of Bruckner’s intense sound world. It was a stirring and rewarding evening.
Please note that the poster below has the old date on it.
Saturday 9 December 2017, 7.30pm, St Mary’s Church, Kippington, Sevenoaks
Our next concert is on Saturday 9 December at St. Mary’s Church, Kippington, Sevenoaks. This is a Christmas concert including John Rutter’s Magnificat, and music by Poulenc, Bach, Mendelssohn and more. The Magnificat is an uplifting piece, combining many colourful styles, from sections full of lively energy to moments of peaceful reflection; and it includes the lovely setting of the old English poem ‘Of a Rose’. Robin Walker will conduct and our organist for the evening will be Riccardo Bonci.
With Vivace and The English Cornett & Sackbut Ensemble
Director of Music: Robin Walker
Born in Cremona, Monteverdi was a composer and court musician particularly known for books of madrigals and operas. His work transitions from Renaissance polyphony to Baroque melody including pioneering techniques such as bass continuo. The Vesperis in Festis Beata Mariae Vergine, more casually known as the Vespers of 1610, was his first sacred work in nearly 30 years reflecting a blend of both styles. In scale it represents one of the most ambitious works of religious music written before Bach. It is a large, complex and ground-breaking piece noted for its brilliance and power.
Special guest soloists will perform with The Cantate Choir and we will be joined by Vivace and The English Cornett & Sackbut Ensemble for what promises to be a wonderful evening.
Tickets cost £15. (concessions £7.50 U18s)
For more information and a link to book tickets, go to http://www.thespacesevenoaks.co.uk/whats-on/music/
The centrepiece of our summer concert was the Solstice of Light, Peter Maxwell Davies’ Cantata for tenor, choir and organ. Its fourteen movements form a poetic history of Orkney with beautiful melodic moments and some wonderful harmony. This highly evocative piece was performed as the long light of June lasted into the evening making it a very special occasion.
We also be presented a wonderful setting of Shakespeare’s song from Cymbeline, Fear No More, by Jonas Magnussen, being performed for the first time in the UK, as well as two pieces by New Zealand composer Paul Newton-Jackson.
We were joined by special guests, tenor William Searle and organist Ian Shaw. William performed a beautiful selection of English solo songs as well as the tenor role in Solstice of Light. Ian played an organ solo during the first part of the concert as well as performing the fantastic, virtuoso solo sections in Solstice of Light.
Strawberries and drinks were at 6.30pm in the Churchyard and the concert followed at 7.00pm.
Saturday March 4th 2017 – St. Martin’s Church, Brasted.
The choir performed a capella music full of melody and luscious harmony by Mendelssohn, Elgar, Vaughan Williams and Britten, while our special guest soloist Philippa Mo played a range of pieces for the violin.
Two of Mendelssohn’s motets for eight-part choir opened the concert. Philippa then played two pieces for violin by German Romantic composer Rheinberger; she was accompanied on the organ by Robin Walker. Britten’s Five Flower Songs followed, fascinating settings of works by poets such as Herrick and Clare. Philippa then performed a new work by Frederick Frahm Grendel’s Soliloquy. Closing the first half was Sir Edward Elgar’s famous Nimrod, arranged for choir and set to the text Lux Aeterna.
The second half was a feast of Vaughan Williams, opening with The Lark Ascending. The choir then performed the composer’s Mass in G minor for double choir and soloists, a truly great work of the English 20th century choral tradition.
With guest conductor Riccardo Bonci and organist Iestyn Evans.
Our Christmas programme will feature carols, old and new. From Wassail song to Wishart, with Bach, Vaughan Williams and Rutter, and, of course, we hope you will join with us to sing our favourite carols together!
This year we are delighted to be performing with our very special guest soloist – Matilda Lloyd on trumpet. Matilda won the brass section of the BBC Musician of the year in 2014 and made her Proms solo debut this year with the BBC Philharmonic; she has also played with the Academy of St. Martin in the Fields for the Classic FM Live concert at the Royal Albert Hall and she has appeared on In Tune on Radio 3. She works with a variety of orchestras and she currently reads music at Trinity College, Cambridge and studies the trumpet with Mark David, Head of Brass at the Royal Academy of Music, London. She will be joining us to perform many well-known carols and she will be playing solo pieces including Bach’s Concerto in D Major after Vivaldi.
For a glorious, sparkling start to the Christmas season do come and join us!
Tickets are £15 including refreshment and are available at Sevenoaks Bookshop or online and by phone from Brown Paper Tickets on www.bpt.me and 0800 411 8881. They will also available from members of the choir.
You can register to receive e-mail updates from the home page of this website.
Saturday 21 May 2016, 7.30pm, St Mary’s Kippington, Sevenoaks
Vivaldi Gloria and works by living composers in association with Firehead Editions.
The Cantate Choir will be performing Vivaldi’s Gloria in May. Written in around 1715 it is a joyous, sparkling piece for choir and soloists, with distinctive, sunny harmonies and beautifully expressive moments. This lovely, uplifting music forms the centrepiece of our concert.
Following our tradition of presenting new music, we will also be performing a selection of pieces from Firehead Editions. This is a collective of three contemporary composers: Frederick Frahm, Huw Morgan and Nicholas Wibberley. They have written music for a wide variety of different contexts and are all distinguished composers, conductors and performers. Their music is intelligent, well-considered and attractive, and is performed the world over. We are delighted to be presenting a selection of their recent works, both sacred and secular, which we are sure you will enjoy.
We look forward to welcoming you to an inspiring evening of old and new music.
Tickets are £15 and will be available at Sevenoaks Bookshop or online and by phone from Brown Paper Tickets and 0800 411 8881. They will also available from members of the choir.
You can register to receive e-mail updates from the home page of this website.
The Cantate Choir with orchestra ‘Vivace!’ and internationally renowned soloists gave a gala charity performance of this most wonderful of Oratorios to raise money for The Hospice in the Weald.
The Cantate Choir raised over £10,000 for Hospice in the Weald through it’s Gala Charity Concert on 23rd January 2016. This organisation provides the most outstanding palliative care to the terminally ill, and is heavily reliant on the generosity of the public, local businesses and organisations. Our guest of honour, Lord Sackville, introduced the concert.
The choir performed Handel’s masterpiece under the baton of Robin Walker accompanied by orchestra ‘Vivace!’ who played on period instruments. Cantate also welcomed internationally renowned soloists: soprano Gillian Keith, counter tenor Francesco Ghelardini, tenor Tom Randle and bass Trevor Eliot Bowes.
In late May, The Cantate Choir went tour again, this time to Norway. See the news pages for pictures of the trip. They gave a concert in Bergen cathedral after which they travelled to the heart of Norway to rekindle their friendship with The Førde Kammerkor to perform there. This choir came to sing with Cantate in Sevenoaks in October 2012.
Once returned the choir reprised the repertoire from the tour to present to an Audience at St. Martin’s Brasted. The concert included performances of Grieg, Norwegian folk songs, Monteverdi’s Beatus Vir, Weelkes, Morley, Stanford and Vaughan Williams, performing madrigals outside on a lovely summer’s evening before moving into the church for the rest of the concert.
7.30pm, Saturday 28th February 2015 – St. Mary’s Kippington, Sevenoaks
The choir performed this compelling Requiem together with a programme including mezzo soprano and baritone solos, other choral works and an organ work by John Ellis as well as his choral piece, The Mass of the Grove.
As winners of Top Kent Choir, 2014, we performed at a special celebration in March to mark five years of this competition which does so much to raise money for charity. We joined six other choirs, all past finalists or runners up, each performing a 15 minute repertoire in the Shirley Hall in Canterbury. The evening culminated in a special performance by all the choirs and audience together of a special arrangement of ‘Help’ – the song by the Beatles – to mark its fiftieth anniversary. The whole event celebrated live music and singing, and we were delighted to be able to take part. See photos of us performing by following this link.
Carol arr. Robin Walker – Once in Royal David’s city
Reading John Milton – The Invocation from Paradise Lost Choir Boris Ord – Adam lay ybounden Carol arr. David Willcocks – Of the Father’s heart begotten
Reading Rainer Mari Rilke – Annunciation to Mary translated by Mary Dows Herter Norton Choir Villette – Hymne à la Vierge Carol John Goss, arr. David Willcocks – See amid the winter’s snow
Reading Henry Vaughan – Christ’s Nativity Choir Praetorius – In dulci jubilo Choir A. Pärt – Bogoroditse dyevo Carol, adapted by Arthur Sullivan – It came upon the midnight clear Reading Sidney Godolphin – Hymn Brass solo G.F. Handel – Symphony from Messiah Choir Anon (ed. Stevens) – There is no rose - 15th C. Carol arr. Mardi Brass – O little town of Bethlehem Choir F. Mendelssohn – Rejoice and be glad all ye nations Choir arr. Poston – The Boar’s head carol Carol arr. Mardi Brass – Ding dong merrily on high Reading John Betjeman – Christmas Choir arr. Mardi Brass – God rest ye merry gentlemen Choir arr. J. Magnussen – My heart will always wander trad. Norwegian Carol arr. Mardi Brass – Silent night Reading Ted Hughes – Minstral’s Song Choir arr. Mardi Brass – The First nowell Reading T.S. Elliot – The Cultivation of Christmas Trees Brass solo – Let it Blow Carol arr. Mardi Brass – Hark the Herald
11.00am, Saturday 25 October – Spiegletent, Canterbury
We are delighted to be performing at the Spiegletent at the Canterbury Festival as winner of the Top Choir Kent competition. The concert takes place at 11am on the 25th October. The venue is unique – part baroque ballroom part exotic marquee – and fantastic for an intimate and exciting concert. Do come and join us as we present a morning of madrigals, classical pieces, folk song and jazz. There is something for everyone from Gabrieli to Tea for Two.
With other great events continuing throughout the day why not take in a guided walk, or a comedy performance, rounded off with an evening concert by acclaimed choral group ‘Voces 8’ in Canterbury cathedral – make a day of it!
The Spitfire ground is a 2 minute drive or 10 minute walk from the centre of town, postcode CT1 3NZ . Parking is easy in that area.
Tickets are only £5 from the festival box office and will be available on the door.
For full details on the festival and booking go to www.canterburyfestival.co.uk and for our concert go to www.canterburyfestival.co.uk/whats-on/music/top-choir-kent-cantate
T. Campion 1557—1620 – Never weather-beaten sail
J. Bartlet fl. 1606—10 – Of all the birds that I do know
R. Jones fl. 1597—1615 – Farewell, dear love
G. Finzi 1901—56 – My spirit sang all day
E. Elgar 1857—1934 – As torrents in summer
C.H.H. Parry 1848—1918 – Music, when soft voices die
C.V. Stanford 1852—1924 – The blue bird
F. Delius 1862—1934 – To be sung of a summer night on the water (two unaccompanied part-songs)
G.B. Pergolesi 1710—1736 – Magnificat
A. Hollins 1865—1942 – A Trumpet Minuet
J. Jongen 1873—1953 – Petite Prélude
M. Lanquetuit 1894—1985 – Toccata
Eric Whitaker b. 1970 – Sleep
G.F. Handel 1685—1759 – My heart is inditing
7.30pm, Saturday 22 March 2014 – St Nicholas Church, Sevenoaks
In March 2014, Cantate were joined for the first time by one of the world’s leading period ensembles, His Majestys Sagbutts and Cornetts, who have for many years been a highlight of the early music scene through their many recordings, radio performances and concerts. They delivered a wonderful programme of Renaissance music from Italy, Germany and Britain.
Cantate and HMSC performed alone and together in music by great composers of the period and the concert will build to a climax with Thomas Tallis’ extraordinary Spem in alium, a motet written in 40 parts, and a landmark piece in musical history.
Audience carol – O come, o come, Emmanuel
16th French tune Arr. Willcocks – Ding Dong! Merrily on high
14th century carol Arr. Willcocks – Resonemus laudibus
H. Berlioz 1803 – 69 – The Sepherd’s Farewell Organ solo J.S. Bach 1685 – 1750 – Nun komm der heiden heiland BWV 659
J.G. Ebeling 1637? – 76 – All my heart this night rejoices
Audience carol – Good King Wenceslas
J.S. Bach 1685 – 1750 – Singet dem Herrn
Audience carol – Once in royal David’s city
W.J. Kirkpatrick 1838 – 1921 – Away in a manger
J. Rutter b. 1945 – Nativity Carol
J. Rutter – What sweeter music
Audience carol – O little town of Bethlehem Organ solo O. Messiaen 1908 – 1992 – La Nativité du Seigneur – Les Bergers (the shepherds)
M. Lauridsen b. 1943 – O Magnum mysterium
W. Mathias 1934 – 92 – Sir Christèmas
Audience Carol – Hark the Herald angels sing
John Dowland – Come again! Sweet love doth now invite
John Dowland – O sweet woods, the delight of solitariness
John Dowland – Flow not so fast ye fountains
John Dowland – Fine knacks for ladies
Benjamin Britten – Rejoice in the Lamb
Giuseppe Verdi – Ave Maria
Giuseppe Verdi – Stabat Mater
Giuseppe Verdi – Laudi Alla Vergine Madre
Giuseppe Verdi – Te Deum
eat events continuing throughout the day why not take in a guided walk, or a comedy performance, rounded off with an evening concer
t by acclaimed choral group ‘Voces 8’ in Canterbury cathedral – make a day of it!
