Saturday 14 October 2017
Pamoja Hall 7.30pm
With Vivace and The English Cornett & Sackbut Ensemble
Director of Music: Robin Walker
Born in Cremona, Monteverdi was a composer and court musician particularly known for books of madrigals and operas. His work transitions from Renaissance polyphony to Baroque melody including pioneering techniques such as bass continuo. The Vesperis in Festis Beata Mariae Vergine, more casually known as the Vespers of 1610, was his first sacred work in nearly 30 years reflecting a blend of both styles. In scale it represents one of the most ambitious works of religious music written before Bach. It is a large, complex and ground-breaking piece noted for its brilliance and power.
Special guest soloists will perform with The Cantate Choir and we will be joined by Vivace and The English Cornett & Sackbut Ensemble for what promises to be a wonderful evening.
Tickets cost £15. (concessions £7.50 U18s)
For more information and a link to book tickets, go to http://www.thespacesevenoaks.co.uk/whats-on/music/
23rd January 2016
Pamoja Hall – Sevenoaks School
The Cantate Choir with orchestra ‘Vivace!’ and internationally renowned soloists gave a gala charity performance of this most wonderful of Oratorios to raise money for The Hospice in the Weald.
The Cantate Choir raised over £10,000 for Hospice in the Weald through it’s Gala Charity Concert on 23rd January 2016. This organisation provides the most outstanding palliative care to the terminally ill, and is heavily reliant on the generosity of the public, local businesses and organisations. Our guest of honour, Lord Sackville, introduced the concert.
The choir performed Handel’s masterpiece under the baton of Robin Walker accompanied by orchestra ‘Vivace!’ who played on period instruments. Cantate also welcomed internationally renowned soloists: soprano Gillian Keith, counter tenor Francesco Ghelardini, tenor Tom Randle and bass Trevor Eliot Bowes.
Conductor – Robin Walker
Leader – Hazel Brooks
Soprano – Gillian Keith
Counter-tenor – Francesco Ghelardini
Tenor – Tom Randle
Bass – Trevor Eliot Bowes
Programme notes by Sarah Kelmsley
Review by Graeme Fife
Alistair, sang Bass for the Cantate Choir during it’s performance of J S Bach’s B minor mass in March 2012.
Alistair Ollerenshaw baritone is currently studying at the Royal Academy of Music with Mark Wildman and Iain Ledingham, having previously studied at the Royal Northern College of Music, where he won the Schubert Prize and at the University of Leeds, during which he spent a year at the Franz Liszt Hochschule in Weimar.
Whilst at the Royal Academy, Alistair has taken part in public and private masterclasses with Sir Thomas Allen, Dennis O’Neill CBE, Brindley Sherratt and Malcolm Martineau. He was a finalist in the prestigious Richard Lewis/Jean Shanks Award in 2011 and has performed the roles of Il Conte in Le Nozze di Figaro, Garibaldo in Handel’s Rodelinda, Le Podestat in Bizet’s Le Docteur Miracle and the Lawyer in Williamson’s The Growing Castle in opera scenes as well as covering the role of Peachum in the Royal Academy Opera’s production of Kurt Weill’s Die Dreigroschenoper.
Alistair performs extensively on the concert platform across the UK. His recent performances include Handel’s Messiah with the Manchester Camerata, Brahms’ Ein Deutsches Requiem with the Brandenburg Sinfonia at St Martin in the Fields and Mozart’s Mass in C minor with the London Symphony Chorus. Other repertoire includes Bach’s St John Passion, Monteverdi Vespers, Puccini’s Messa di Gloria, Rossini’s Petite Messe Sollenelle. Future engagements include Brahms’ Ein Deutsches Requiem for Birmingham Bach Choir under Paul Spicer and Mendelssohn’s Elijah for the Amersham Music Festival.
On the opera stage, Alistair has sung the roles of Figaro in Mozart’s The Marriage of Figaro (Leeds University), Pollux in Rameau’s Castor et Pollux (The Yorke Trust) in addition to Papageno in Mozart’s Die Zauberflöte, Father in Humperdink’s Hänsel and Gretel, Leporello in Mozart’s Don Giovanni, Il Conte Robinson in Cimarosa’s Il matrimonio segreto and Marcello in Puccini’s La Bohème (Royal Northern College of Music). In July he will be performing the role of Figaro in Winterbourne Opera’s production of Mozart’s The Marriage of Figaro.
Alistair is very grateful to be supported by The Josephine Baker Trust, Norman McCann Scholarship and the Royal Academy of Music.
Edward Ballard, sang Bass for the Cantate Choir during it’s performance of Handel’s Judas Maccabaeus in March 2013.
Edward Ballard is currently on the Preparatory Opera Course at the Royal Academy of Music, studying with Glenville Hargreaves and Audrey Hyland. Born in London, Ed began singing as a Chorister at the Temple Church. He was subsequently a Choral Scholar in Clare College Choir and King’s College Choir in Cambridge.
Winner of the Marjorie Thomas Art of Song Prize, Ed is a member of the prestigious Royal Academy of Music Song Circle and performs as a soloist in the acclaimed Royal Academy of Music/Kohn Foundation Bach Cantata Series. He holds a Maidment Scholarship administered by the Musician’s Benevolent Fund, a Clumber Music Studio Scholarship administered by the Royal Academy of Music and is generously supported by The Kathleen Trust, The John Wates Charitable Trust, The Josephine Baker Trust and Christopher Ball.
Operatic roles include Count Almaviva, Guglielmo, Demetrius, Aeneas, Death in Holst’s Savitri and John the Butcher in Vaughan William’s Hugh the Drover. In summer 2012 he covered the lead role, Chao Lin, for British Youth Opera’s production of Judith Weir’s A Night at the Chinese Opera and in summer 2013 he will be joining the Glyndebourne Festival Chorus for their production of Billy Budd. In concert, Ed has appeared with the Britten Sinfonia and the Orchestra of St Paul’s in St John’s, Smith Square, with the Orchestra of St John in King’s Place, with the Brandenburg Sinfonia in St James’ Piccadilly and with King’s College Choir in Chester Cathedral.
In Autumn 2013 Ed will take up a full scholarship to the Royal College of Music International Opera School, studying with Russell Smythe.
James sang with the choir during its Baroque Masterworks concert in March 2007 an its Rossini Petite Messe Solennelle concert in March 2011.
James was born in Newport, South Wales and studied at St John’s College, Cambridge and the Royal Academy of Music. He is currently studying with Cathy Pope and Robert Lloyd.
James made his English National Opera debut performing Lord Krishna/Parsi Rustomji Satyagraha by Philip Glass and joined the ENO Young Singers Programme for the 2007/2008 season. His roles have included Mercury/Lictor/3rd Seneca Friend L’Incoronazione di Poppea, Bogdanowitsch The Merry Widow, Notary Der Rosenkavalier, Ormonte Partenope, Nikitich Boris Godunov, Speaker Die Zauberflöte, Ceprano Rigoletto and Sciarrone Tosca. As an associate artist with Welsh National Opera, James performed Un Moine Don Carlos and Second Armed Man Die Zauberflöte. For Glyndebourne Festival Opera he performed Pinellino Gianni Schicchi, (broadcast on BBC TV and performed at the Proms) and Erster Priester/Zweiter geharnischter Mann Die Zauberflöte. For Glyndebourne on Tour he sang Doctor Pelléas et Mélisande and Doctor Grenvil La Traviata. Other roles include Raimondo Lucia di Lammermoor and Seneca L’Incoronazione di Poppea for Iford Festival, Colline La Bohème for Opera Theatre Company, High Priest in Dvorák’s Vanda for University College Opera, Bartolo/Antonio Le Nozze di Figaro for the Classical Opera Company and Leporello Don Giovanni, Cambridge Touring Opera.
Recent concert engagements include Messiah with the RSNO and Christus St John Passion at Bath Abbey. Engagements outside the UK have included Israel in Egypt, Pagano I Lombardi and Silva Ernani at Dortmund’s Konzerthaus.
Oliver sang with the choir during its Handel’s Messiah concert in March 2009.
Man of Kent, Oliver Dunn is currently studying on the Opera Course at the Royal Academy of Music, where he studies with Mark Wildman and Iain Ledingham. Previously to this he completed a degree and two Post Graduate years of study at the Royal Northern College of Music in Manchester under the tutelage of Robert Alderson.
On the concert platform he has appeared extensively across Britain with a variety of orchestras and ensembles including, The Hallé, The Hanover Band and Manchester Camerata. Oratorio performances include Mozart’s Vesperae Solennes de Confessore, Bach St Matthew Passion and St John Passion (Christus), Mendelssohn Elijah, Handel Messiah, Haydn Nelson Mass, Rossini Petite Messe Solennelle, Puccini Messa di Gloria, Purcell King Arthur and Karl Jenkins’ The Armed Man, conducted by the composer. Oliver also performed concert excerpts of Disney’s The Jungle Book and The Lion King with the RNCM Wind Orchestra at the Bridgewater Hall in which he played the roles of Baloo and Scar.
Since his arrival at the Royal Academy Oliver has taken part in masterclasses with Chevalier José Cura, Dennis O’Neill and Robert Tear, as well as performing excerpts of Cosi fan Tutte and Rossini’s Il viaggio a Reims in the ‘5 days, 100 Concerts’ opening festival of the new King’s Place Concert venue close to King’s Cross Station.
David sang with the choir during its Mozart Requiem & Schubert Mass in C concert in March 2006.
David was born in Nottinghamshire and studied organ and singing at the Royal Academy of Music. After a period as a freelance organist, conductor and singer, including the post of Director of Music at All Saints Church, Kingston, he joined the chorus of Welsh National Opera. He also performed a number of roles for the company including Captain and Zaretsky/Eugene Onegin, Doctor Grenvil/La Traviata, Bertand in Tchaikovsky’s Iolanta (including a performance at the 2005 BBC Proms) and Sarastro/The Magic Flute. Other roles include Banquo/Macbeth, Don Alfonso/Cosi fan tutte, and Superintendant Budd/Albert Herring. In concert he has performed Messiah, Creation, Elijah, Rossini’s Petite Messe Solennelle, Stanford’s Songs of the Fleet, Bach’s Mass in B minor, St John Passion, Magnificat and numerous cantatas including the solo bass cantata Ich habe genug.
He is currently studying at the National Opera Studio where he is supported by a Sybil Tutton Award, the Kenneth Loveland Gift and the Nicholas John Trust. Future plans include Count Ceprano/Rigoletto for Opera Holland Park, before returning to WNO as an Associate Artist where roles will include Colline/La Boheme, Zuniga/Carmen and Bonze/Madam Butterfly.
David sang the role of Jesus in Cantate Choir’s performance of Bach’s St John Passion in March 2008
David Stout studied Zoology at Durham University, sang with the choir of St. John’s College, Cambridge and studied on the Opera Course at the Guildhall School of Music and Drama, where he was recipient of the John Hosier Scholarship, the Harold Rosenthal Award and the Principal’s Prize 2006. He continues to study with Rudolf Piernay.
His extensive oratorio repertoire includes many of the major works. Operatic roles with British Youth Opera, Grange Park Opera and other companies have lead to roles in The Magic Flute and Carmen for WNO.
Forthcoming engagements include Sea Symphony in Gloucester Cathedral with the LPO, The Creation in the Cadogan Hall, Cimarosa Il Maestro di capella with the Haffner Orchestra, Matthäus Passion with the Hallé and a recording of The Creation with Edward Higginbottom and the Choir of New College Oxford, alongside roles with WNO and ENO.
James sang with the choir during its Magnificat concert in January 2003.
James Oxley studied at the Royal College of Music, at Oxford and privately with Rudolf Piernay. In 1994, he was awarded first prize at the renowned International Vocalisten Concours at ‘s-Hertogenbosch.
He made his London debut at St John’s, Smith Square, singing Britten’s Les Illuminations. Since then, he has appeared at all the major concert halls in London, at the Symphony Hall (Birmingham) and Philharmonic Hall (Liverpool) as well as at the Three Choirs Festival. His engagements have taken him to all the major European countries, especially to France where he has worked with Philippe Herreweghe, Hervé Niquet and Christophe Rousset. In 1996 he gave performances of Britten’s War Requiem in San Sebastian and Amiens. Further afield, he has sung in Tel Aviv in concerts of Bach, in Hong Kong and Singapore, and he sang Schumann’s Dichterliebe with the pianist David Owen Norris at the Huntington Festival in Australia. Last year he made his North American debut with Philharmonia Baroque in San Francisco.
James sings regularly for Opéra de Rennes, his recent roles including Antinoüs in Faure’s Penelope, Lensky in Eugene Onegin, Belmonte in Seraglio and Male Chorus (The Rape of Lucretia). He has sung in two Strauss operas at Garsington: Die Liebe der Danaë and Intermezzo and sang the role of Lucano in ENO’s acclaimed Coronation of Poppea.
His recent engagements include Acis & Galatea for Kent Opera, Rameau’s Pygmalion at the Cheltenham Festival, a broadcast of French baroque music from the Royal Chapel at Versailles and Verdi’s Requiem at Gloucester Cathedral. This year, he will give performances of Cosi fan Tutti for Opéra de Rennes and the Britten Seranade in Limerick, Dublin, and at the Sydney Opera House.